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A transcription of pages 195-469,
Family Histories from the Verdigre Centennial Book
Thanks to the Verdigre Library and its volunteers for making
this available.
The index below only includes the husband and wife for each family.
The maiden name for the wife is used if listed.
For other names, use the search on the Home Page.
Index's A-I,
J-P, & Q-Z
LEON OLSOMMER
Leon F. Olsommer, son of Nicholas and Julie Calame Olsommer, was
born March 6, 1856, in La Chaux de Fonds, Canton Neuchatel,
Switzerland. The youngest of six children, he learned what was to be
his profession from his father. He attended schools in Switzerland,
attaining high honors. He was also a member of numerous clubs,
including the Nautical Club, the Gymnastic Club, Dramatic Club,
Fencing Club, Skating Club, and the Alpine Club. He was later to
become a member of the Junior Commercial Club and the Debating
Society.
At 17 he enlisted in the French navy (Switzerland, a landlocked
country, had none of its own) and saw the world. A year after
returning to Switzerland, he and his brothers took over management
of their father’s photographic studio upon his death. Then he was
overcome with a desire not just to travel but to settle in the
United States. He left Switzerland forever in 1882 at 26.
He traveled with a friend who also wanted to settle in the United
States. Upon their arrival they went straight to Omaha because a
resident of the canton, Jules Sandoz, had taken land in Nebraska.
They sent a message by wire to Sandoz in care of the Verdigris
Valley Post office (which was not his own). They then went on by
rail to Creighton, despite not having received a reply. It was
January of 1883. They made their way out to the Sandoz place, 14
miles northwest, and received a warm welcome.
[pg 349 PHOTO Leon Olsommer in early 1900s]
The two young men took pre-emptions on land in the county. However,
Olsommer was not much of a farmer, so he walked to O’Neill, worked
there for a time, and then went to Omaha.
When he arrived in Omaha, Olsommer took a job in a saloon and then
was a dishwasher in a restaurant. He next became third cook on the
night shift there before going to work in a hotel. He was making a
little money and might have gone on to other things but then he got
an offer to buy his Verdigre land and a proposal from a
French-Canadian named Louis Ouimet to operate a fire brick factory
in the nascent village. They did go to Verdigre and start making
fire bricks. However, the venture ended badly with warrants out for
the arrest of Ouimet, who did not have a patent on his fire bricks.
To earn a living, Olsommer began giving French lessons to Marie
Kalal and then moved into the Kalals’ hotel. Then he rented a house
on Main Street, building a studio in the back (probably detached).
He and a photographer from Plainview formed a partnership but they
also contracted to haul the mail from Plum Valley to Verdigre. And
then fire destroyed the studio, though the house was saved. Unable
to rebuild, Olsommer went to work for the railroad on the section.
He was at that work throughout most of the nineties.
On October 2, 1897, he married Anna Svitak, a sister of Frank
Mlady’s wife Frantiska. She sold the two lots she owned and
eventually bought the lot at the southwest corner of Main and Second
Avenue. About 1913 Olsommer built a studio there but for some years
prior to that he rented a building to use as a studio. For a time
after the turn of the century, he was associated with his wife’s
nephew Edward Schneberger in photography before the latter found it
more profitable to engage in the meat business.
For thirty years Olsommer documented the growth of Verdigre through
the glass plates on which his camera captured images. He did have a
camera which used film later on but shortly before his death he was
still making plates.
Olsommer was more than a photographer. An ardent physical culturist,
he established a gymnastics club in Verdigre at least twice.
He also wrote plays, even a photoplay or two (unproduced) for the
movies, and he produced the plays himself at the ZCBJ. He also did
the sets and decorations. He was always ready to produce sets for
community Christmas programs or other occasions.
His plays reflected his politics: he was a socialist and his wife
was a socialist party candidate for a Nebraska office (even though
women had not yet obtained the vote).
An ardent musician, he was a charter member of the Verdigre Military
Band. With his drums he participated in several other bands as well;
he is there in the photographs he made of all these bands.
Olsommer was a member of the I.O.O.F. In Verdigre Lodge No. 343 he
was raised to the rank of past grand. The various drill teams in the
organization always held his particular interest.
Olsommer’s first wife died April 1, 1919. This was a grievous blow
to him. Unwilling to enter their home in the studio for some weeks
after her death there, he took solace in designing an elaborate
tombstone for her grave at Riverside Cemetery. On March 22, 1921, he
married Roberta C. Rhea with whom he had become acquainted through
correspondence. The two soon parted and Olsommer was left alone
until his death November 25, 1931.
Pages
348, 349
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